303
Pictures 65 and 66: Underpinning during the processes of consoli-
dation by injection. Presence of added masonry in poor conditions,
consequence of previous interventions of consolidation.
Picture 67: Team of restorers during the intervention in the Eastern
side of the section.
Picture 68: Adjustment of the team of restorer to the limited area
of the barrel vault above the stairs, aimed to allow visitors to access
the Baths.
Pictures 69 to 71: Detail of a teriomorphic figure placed in the East-
ern side of the mullion. Comparative views of the process of restora-
tion.
Pictures 72 to 75: Comparative views of the process of restoration.
Above, details of the central area in Eastern jamb. Below, detail of
the central area in the Western side of the jamb.
Pictures 76 to 80: Views and details from the final result after the
restoration of the barrel vault.
Pictures 81 and 82: Ogival vault. State before the intervention and
the process of elimination of whitewashing and carbonated coats,
adhered to the paintings.
Pictures 83 and 84: Underpinning of the vault during the elimina-
tion of added mortars and the process of consolidation by injection.
Cleaning process.
Pictures 85 to 87: Overview of the supplements after the cleaning,
consolidation and reconstruction of lacunas. (Photo 85, by Daniel
Salvador-Almeida González)
Pictures 88 to 93: Iconographic details of the supplements after the
intervention. (Photography: Daniel: Salvador-Almeida González)
Pictures 94 to 99: Details of iconography after intervention) Detalles
de la iconografía tras la intervención.: (Photo 94: Daniel Salvador-
Almeida González).
Pictures 100 and 101: Floor and elevation plan of the galleries of the
Patio del Crucero. Inphography developed in height to the restored
murals. (Inphography: Daniel Baceiredo Rodríguez)
Picture 102: Result of the intervention in murals painting at mural
3 of the Eastern gallery. (Photo Daniel Salvador- Almeida González)
Pictures 103 and 104: Details of the composition at mural 3, Eastern
gallery. Final result. (Photo Daniel Salvador- Almeida González)
